Sanatana Dharma, by S. K. Balasubramanian
Sanatana Dharma is more misunderstood than otherwise. It means an eternal system which owed its durability to its rationalism and not, as is often supposed, to any divine origin. It defined four major goals of life to be accomplished by means of eight secondary observances. The major objectives are evolutionary ethics, creativity and harmony with instincts and finally liberation from the human constraints. In Samskrit these were called Dharma, Artha, Kaama and Moksha.
Ethics is the most fundamental part of Sanatana Dharma and is given the place of pride in all its schemes. It is discussed in detail in the Mahabharata. The Gita discusses it in a diffused manner. It looks on ethics as a divine manifestation and describes it as the basis of a creative society. In essence Dharma is to be looked upon as the basis of interpersonal relationship in the social context. When such relations get degraded social disintegration starts.
Dharma was broadly interpreted as the underlying ethics for a stable social order. It could be derived using four sources as authority. First is the authority of the Vedas. The Arya Samaj followed this source and had given primacy to the Vedas. The second authority was a Smriti like Manu Smriti that provided detailed instructions to govern life. The third source is the authority of individual teachers. The Gita accepts this authority saying: “Whatever a great man does others follow him. The example set by his conduct is acceptable to the world at large.”(III, 21) It is this provision that gave Hinduism its catholicity and enabled it to accommodate and absorb the teachings of a variety of individuals ranging from Buddha, Ramanuja, Gnaneshwar, Basaveshwara, Guru Nanak, and in our century, Narayan guru and Gandhiji. The last source of authority for ethics is one’s own self. One’s own concepts of good and bad, right and wrong could be followed. Of course one has to be a highly balanced or evolved personality to follow this choice.
It is clearly not right to identify Sanatana Dharma with Manu Smriti alone. What follows is a rationalist’s look at Sanatana Dharma. The secondary practices are the rules of the Varnashrama: The word varna, often translated as color and identified with caste, is to be derived from the Samskrit root Vr, meaning “to choose”. In this context it refers to the chosen profession with no hint of inheritance. Ashrama refers to the different evolutionary stages in life starting with the studies (Brahmacharya) and going through family management (Grhasta), retirement from worldly responsibilities (Vanaprasta) and finally transcending the limitations of human existence (Samnyasa).
The detailed codification is not as important as the broad framework. The codes are essentially in the context of the social norms prevalent at different periods. They may be irrelevant in other contexts and even dangerous. They could be changed or dropped as the social context demands. In earlier periods the rituals prescribed in the Vedas were found impractical and abandoned. Such changes do not detract from the validity of the essential postulate of Sanatana Dharma that an evolving society should be able to regenerate itself without disruption. Thus Dharma has to be looked upon as EVOLUTIONARY ETHICS.
Creative materialism is described as artha (or wealth in a limited sense) in Samskrit, and is the mechanism for social evolution. Materialism is different from hedonism. The former relates to generation of wealth. The latter the means of squandering it over trifles without discipline. Hedonism is mindless pursuit of pleasure.
Social regeneration requires development of new techniques and ideas that are collectively covered by artha. The Gita defines knowledge as the purest of human endeavors: “There is nothing purer than knowledge in this world” (IV,38). Describing his manifestations, Krishna proffers the best in every species as the blessed ones and as a divine manifestation. Thus among Adityas he is Vishnu and amongst the celestial objects he is Ravi or the Sun. In the feline species he is the lord of the jungle, the Lion. In the human context God is Rama, the best among the warriors and Dhananjaya or Arjuna of the Pandavas. The best everywhere is divine is the final assertion of Krishna (Chapter X). It becomes incumbent on societies to strive for the best. Individual excellence is the prescribed social goal, called artha in Samskrit. It is in fact glorified. EXCELLENCE IS DIVINE, the Gita says (Chapter X).
Kaama, is often narrowly interpreted as the sex instinct. As a goal of life, it is to be looked upon as conformity to the instincts and acceptance of their place as integral to life. The Gita sanctifies instincts when Krishna says “In living Beings I am Kama that is not in conflict with Dharma” (VII,11). There is nothing despicable about instinctive impulses as long as they are in conformity with Dharma and are not socially disruptive. The instincts are conceded to be pervasive and forceful elements in one’s mental make up. “The turbulence of the senses could forcefully lead astray even a wise man striving for perfection.” (II, 60). To achieve a creative life one has to wean oneself from the ubiquitous and overwhelming influence of the instincts. One prescription is to accept them gracefully as part of life’s package and to transcend them in a slow evolutionary process.
Moksha or liberation should be considered as the final freedom from the constraints of human limitations. It is an evolutionary state where one transcends the various constraints arising from instincts and experiences, summed up in psychology as ‘complexes’, such as ‘inferiority complex’. Moksha is the final result of understanding the motivating forces in life and transcending their destructive or disruptive potential. It is a slow process that derives benefit from experiences in real life. In a sense Mahabharata sums up the entire process of life and its variety. Moksha is reached when one has gone through one’s own Mahabharata type of experiences, internalized and understood them. It is irrelevant whether Moksha has other worldly connotations or not. I prefer to treat it as concurrent with life.
If creativity is the aim, specialization is the method, which is what varna stands for. The basis is the assumption that we all have some natural endowments, each individually distinct. Exploiting these to the advantage of the society is the aim of the Varna prescription. Gita calls the natural gift as swadharma or one’s innate potential and prescribes conformity to it. “Preferable is one’s own swadharma, deficient though it may be, to a dharma alien to one’s nature. One incurs no sin by conforming to one’s swadharma.”(XVIII, 47).
The ashramas are the evolutionary stages of life. From infancy one passes to the study of the 3 R’s and to the acquisition and mastery of the accumulated knowledge of the ages. In this stage, the Brahmacharya, obedience is required as a primary quality. The process of learning is like the feeding of a baby. In both cases a certain degree of unquestioning swallowing what is given is basic. In this stage as a student, the young preteen lives with the teacher, accepting the teacher as a surrogate parent.
It is in the next stage of life, Grhasta, as a householder, that the student applies the acquired wisdom. He faces the responsibilities of life and develops a wholesome outlook related to realities as compared with book learning. As his understanding develops a life of semi-detachment becomes the next goal culminating in an outlook beyond immediate needs.
In the third stage, known as Vaanaprasta, he is in the family or the world and yet half way out of it. He has transferred the day to day responsibilities to the children so that they could live their own lives without interference. He is part of the family to impart the essence of his experiences to the next generation. In the earlier active stage the immediate problems keep him busy and engaged. Freed from immediate pressures one could develop a dispassionate approach and impart the wisdom of such experience to succeeding generations. The later generations could derive benefit from the experiences of the earlier one avoiding the mistakes and constructively building on the foundations of such experiences. Continuity is the essence of the prescription.
The last evolutionary stage is Samnyasa. This is not a stage of becoming but one of Being wherein the world ceases to have the relevance it had in the earlier stages of life. The essence of Being is that it is not a decision or a matter of will. A Samnayasi is beyond the restraints of life. A verse in Shri Rudram prayer was often quoted by the late Shankaracharya of Kanchi to illustrate Samnyasa “We offer worship to the three eyed God who is pleasantly scented and is ever supportive. May we be released from the worldly bondage like the fruit of a cucumber plant.” The specialty of the cucumber fruit is that it lies on the ground and gets detached from the creeper on its own after reaching maturity. In contrast a mango fruit comes down under the influence of gravity. In a similar manner there should be no push or pull into Samnyasa. This in short is essence of Being or Samnyasa.
Dr. S.K. Balasubramanian completed his Ph.D. from IIS Bangalore. He went to business in Pune manufacturing fine chemicals. You can contact him at smanian@sancharnet.in.
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October 1st, 2008 18:29
At a conference in UK:
Follow article:
http://thehindus.org/heritage.html
October 2nd, 2008 05:42
This article is exhaustive and the author is to be thanked for it. I am familiar with many concepts but not in the depth of this author. Mine is a broad interpretation and I neither pretended to be precise nor exhaustive.
My impressions are based on a short book by Janaki Abhisheki:” Knowledge as religion”. I could not trace the wuthor or the publisher.
Since Ms.Pattni has not made any comments on my views I presume I am not too wrong.
I am saving the article for reference.
Regards,
Skb.
October 2nd, 2008 09:55
Divine intention AND the enthusiam to give vidya-knowledge daana sharing with us all and bringing together some light is significant and most propelling dharma. There is immense happiness in giving and sharing.
LOVE AND PEACE.
October 3rd, 2008 14:21
Namaste. This is a very enlightening article and thanks for taking the time to put it together. I do appreicate your time and efforts in the service of dharma.
October 18th, 2008 12:54
The entire summation of four Vedas and Narayan-Shiva Natraj Ved, the 108 Upanishads, the puranas, Kathas, and Sanatana Dharma GitaMATA MAY BE GIVEN IN very short as follows:
Light [jyott] is eternal. Only from the Manushya loka [the earthen clay of humankind filled with imperfections and mortality and desires and anger] we see it for half of its span around the kaal [karmic time]. Even in the darkness there has been a purpose - to render rest and to render sleep to the cell, atom, matter, and prakruttee. Sukshma roop or the subtle divine swaroop of the ratree-whose king is LORD SHIVA is very the effulgent sun IN HIS THIRD EYE. One who renders as RUDRA-SOMAMA-ISHAANA the MAHADEVA of NECTAR DIVINE, in true faith, true divine intention, true divine light of wisdom, true divine karma- satt-karma shall verily conquer the ATMA-that which is GOD. AUM TAT SAT HARI AUM TATVAM ASI…HARI NARAYANAYA…
Light of delight is the eternal light of love.
God is light of divine glow that keeps our hearts
capering to the rhythm of the sound of music,
like the glory of the sun, the sparkle of the star,
the shimmering of the moon, light embraces us all!
To see not, but to be seen in delight is the light of love
shinning brightly in our spirit of life;
which else shall beautify our homes and make it heaven?
But the flame of a loving lamp; glowing in delight.
Which else shall be adorned but the Light of Wisdom deep.
But the light of love divine
Light of love is the eternal light of delight
and the light of delight is the eternal light of love divine!
May the rays of healing from the bright stars above; reach out to all
especially those out on the limb, rejected, tormented and misunderstood.
May the grief of hurt find solace in love and compassion, in divine light.
Such a beautiful exemplification is given in GAJENDRA-MOKSHA STOTRAM
The story is not just a story of an elephant and a crocodile; it is about the man, his ego and his selfishness. The man (the elephant- symbol) is surrounded by so many illusions ” Maya” that he becomes egoistic. For him, nothing is stringer than himself. But when any problem or the dark image of his works (symbol - crocodile) comes face to face, only then he learns about his true position which is no less than hollow and fake one. This is the time he regrets and surrenders himself to the Almighty.
The great book ” Bhagwat Puraan” says that who so ever will chant or listen to the Gajendra Moksha regularly, to him success and fame will come naturally without him falling into the trap of Ego and worldly attachments. And he’ll not have bad dreams or suffer from nightmares. The often-told stories of ancient past are not just source of entertainment to us but are symbolic of many things and indirectly guide to the road of salvation “MOKSHA”.
Gajendra Moksha is also based on one such story. Gajendra, chief of elephants, was once enjoying himself while bathing in a lake in the company of his large family. He was so engrossed in his enjoyment that he couldn’t notice a crocodile approaching; the crocodile caught hold of his foot and tried to get him down. Thus the battle between the two strong animals started. But crocodile being an aquatic animal was more powerful in water thus was able to pull the elephant more. Gajendra unable to release his foot from the strong grip of the crocodile prayed to the Almighty. His prayer was immediately answered and he was rescued, was prided “Moksha” from the clutches of crocodile.
Prannamm Namaskaramm
Jyotikar
http://www.hanss.co.uk
November 17th, 2008 20:30
Please keep these excellent posts coming.
November 25th, 2008 06:32
Good post, I like your writing style! I’ve added http://hinduyuva.org/tattva-blog/ to my feed reader, and will be reading your posts from now on. Just a quick question - did you design your header image yourself, or have it done professionally? If you had it done by a professional, who was it?